Feature Event: PURPLE FREEDOM: BREAKING THE CYCLE RETURNS Saturday Nov 4th, Durham, NC

Purchase Tickets Here.

Back by popular demand Saturday November 4th, 2017 StandUp-SpeakOut of North Carolina, A Healing Through Arts Production Presents Purple FREEDOM: Breaking the Cycle. Purple Freedom: Breaking the Cycle is a poetic monologue highlighting the long-term impact of generational abuse with an emphasis on teen dating violence, domestic violence, sexual abuse, and mental illness. The event is a fundraising event for SUSO-NC’s operating program budget. All proceeds will support SUSO-NC’s programs and services. Not advised for children under 10 years of age.

Purple FREEDOM: Breaking the Cycle

“She stood in silence too afraid to walk away, too afraid to speak and too afraid to leave. She knew that any word she would utter at this moment would leave her black and blue and she was tired. Tired of crying. Tired of fighting, Tired of living in the walls of shame, guilt, and fear. These days it seemed God didn’t hear her silent cries, so she sat there taking verbal hit after hit after hit until her body and mind became numbed to it”.

Tamika Green always dreamed of her Happily Ever After, beautiful home, good husband, smart and healthy children, and a life she could be proud of. On the the outside looking in Tamika has it all, she has a loving husband who is a successful business owner, active father, good looking,charming, and God-fearing man. She has her handsome son, they call him “the ladies man” he’s athletic, popular, makes good grades, and destine for a spot with the NBA. She has a good job, great friends, and a life her friends say they envy. But behind the pictured perfect life, beautiful home, beautiful family, and her Godly demeanor , Tamika has learned to mask the deep rooted secrets that hold her captive in an abusive passive aggressive prison. Her fight for freedom will lead her down a journey of generational abuse connected through cycles of trauma and revolving doors of pain. Her faith will be tested, her life will be threatened, and her world will come crumbling down on her. The life she once knew will all seem like a dream, but Tamika will soon learn in order to break free she has to dig deep and uproot the core of the pain. Breaking the cycle will not be easy, but healing is necessary for FREEDOM.

StandUp~SpeakOut of North Carolina (SUSO-NC) a 501(c) 3 non-profit organization that provides advocacy and therapeutic support through Art Therapy for children and teens who are victims or witnesses of domestic violence and or sexual abuse. For More Information or to become a sponsor of this event please email info@susonc.org. We have a sponsorship packet available to meet your budget. Inquire today. Visit http://www.susonc.org.

Purchase tickets here.


Feature Artist: Stefflon Don

Stefflon Don

Rap with wicked, dancehall-inspired wordplay


(bbc.co.uk) – It’s this conviction that has earned Stefflon Don, aka Stephanie Allen, a reputation as an emphatically real MC. Her inventive rhymes and wordplay have already caught the attention of rap and grime fans alike, proving that this bilingual mum-of-one and self-described “girl with the blue hair” is a force to be reckoned with.

Steff attributes her straight-talking attitude to her diverse upbringing. After moving to Holland aged five, she enjoyed a liberal childhood in a richly multicultural environment. Eight years later, she returned to the UK with a view of the bigger picture: that there was a world outside of London. Read more: http://www.bbc.co.uk/programmes/profiles/5NrB84dPnSZ5LdwGxYSM0Kk/stefflon-don

Spill: Stirring the Evolution and Freedom of Black Women Unleashed

Spill: Stirring the Evolution and Freedom of Black Women Unleashed

By Patricia Corbett

On January 20, 2017, I was invited to a gathering of women at Duke University to hear Dr. Alexis Pauline Gumbs and Dr. Hortense Spillers engage in a conversation based on Dr. Gumbs book, Spill. Hosted by the Gender, Sexuality, and Feminist Studies department, the timing was both brilliant and serendipitous. Receiving this invitation of the date of the 45th presidential inauguration was most welcomed and indeed highly anticipated. It is a rare treat to be a part of a discussion about a book and then to witness it reimagined as a performance piece. The discussion entitled, Spill: Black Feminist and Fugitivity in Conversation and Performance, was the antidote to an otherwise challenge to one’s intelligence and sensibility to watch the news of the day unfold. The poignant dialogue about intimacy, practice, and protest became a perfect prelude to the first performance of Spill by SpiritHouse, a local Durham theater company.

The Spill performance was robust and sometimes schizophrenic. Black women unabashedly ‘spilling’ emotion everywhere. The play managed to capture the reality of the black woman’s burden, pain, confusion, and her transcendent ability to claim herself amid the madness both self-inflicted and inflicted upon her. The performance was so intriguing that I wanted to know more about the incantations and the revelatory mix of words that created rifts of struggle and freedom that push back against a society that diminishes the value of black women.

I sent Dr. Gumbs the following questions and knew once I began reading Spill, that I would want to explore more of her 21st century black feminist terrain. For now, a brief Q/A with Dr. Alexis Gumbs based on her discussion, “Spill: Black Feminist and Fugitivity”, the SpiritHouse performance, and her new book, Spill: scenes of black feminist fugitivity.

How is Spill and act of intimacy, practice, and protest?

Spill came out of my desire to be with the archive of Black women’s literary and the critical work of Hortense Spillers, one of the Black feminist theorists who has influenced me the most as a scholar.  I wrote it as a daily practice of being with the tradition that produced me without having to explain it or sell it right away.  I wrote the passages in Spill early in the morning, like about 4 or 5am which is before my fear wakes up (my fear wakes up at about 8am most days).   So yes.  It is intimate because I wrote it from a vulnerable place, and because it addresses intimate violence.  It is practice because it was my daily practice for more than a year, and now it shapes my ongoing practice of activating Black feminist brilliance in public with my communities.  And it’s protest because Black women’s freedom requires a completely transformed world.  Everything must change. Read more in TRIBES Spring 2017 Issue 37. 

Feature Event: That’s The Joint, 5/8, Pinhook, Durham, NC

The UGC presents “That’s the Joint”, Monday nights at The Pinhook! Join us as we take the traditional Monday night “open mic” to a whole new level. Comedy, live music, MCs, producers, talent showcase….I’m giving you a chance to show off! I’m excited about this one y’all!
For ALL submissions, please email: respecttheculture7@gmail.com. Venue Information: The Pinhook, 117 W. Main St., Durham, NC, 27701. www.thepinhook.com.

Artist Spotlight: U.K.’s Nadia Rose

It was the 4th quarter of 2015 when the 23 year old,  UK rap starlet, Nadia Rose dropped her 2nd underground viral hit ‘D.F.W.T‘ after already having had a first with the track ‘Station‘. The single that’s been heard on every UK based urban radio station across the nation was shortly followed by Nadia’s third track ‘BOOM‘, which has been a regular feature on BBC Radio 1’s “INMWT” (In Music We Trust) playlist.

Since then the records received rave reviews & regular airplay from popular DJ’s Semtex, Mista Jam & Annie Mac. The video regularly plays on popular music channels such as KISS. Since becoming Sony Music Group‘s latest signee, (under the subsidiary Relentless Records), it’s needless to say that Nadia Rose is fast becoming a force to be reckoned with within the UK music scene.

With a string of sold-out live performances under her belt performing alongside acts such as Section Boyz, Anderson & Paak, major brand endorsements from Adidas, G-Star, Beats by Dre, DKNY and a co-sign from R&B Superstar Alicia Keys, Nadia is clearly raising the bar for female rappers in a scene typically dominated by men. Read more. 


Poetry TRIBE: Everything Worth Fighting For

Everything Worth Fighting For

By Dasan Ahanu

There is a joy that comes with seeing

groups of children playing

in an open field

A twinge in your gut that comes

when passing a sun kissed testimony

in tattered clothes

holding court on a corner

A smile that forms

when a phone call affirms

that hard work has placed

another snapshot of black excellence

where the world can see

An affirming head nod

that says that

in a room of obstacles and expectation

we belong here

There is the pride

that beams at youthful recital

Cheers that accompany

athletic achievement

A hug that starter pistols

the next glorious gathering

of friends

Laughter that chronicles

The best of times

Tears that fall

During the worst times

These are the moments

that let us know that there is

so much worth fighting for

I know a cadre of will

talking bout toppling institutions

and dismantling systems

of oppression

in the back room of a church

2 prayers from a liquor house

Down the street

from a school named after an optimist

Around the corner

from a complex

considered an eyesore

with low property values

that has birthed more blessings

than bastards

These dedicated rebels

are planning demonstration

Coordinating childcare

Identifying roles and tasks

Building capacity with a passion unmatched

Their discussions are a joyful noise

These are the visionaries

who know that there is

so much worth fighting for

See there is promise

wrestling with purpose

in a classroom

during the late hour

They are inspired by the tales

of ancestors before

Searching for victory after

They came with questions

and are leaving

with a focused strategy

This is where developing minds

seek greater understanding

past professors and syllabi



careers and families

are distant actualizations

of a tuition paid journey


Today is where they sharpen

their skills at crafting

a wonderfully sculpted

happy ending


They will march and demand

Pushing administration

to consider that dorm rooms

are not margins

That the blueprints of their future

should have etchings

from their own hands

They are everything worth fighting for

There are neighborhoods to reclaim

Lost lives to honor with resilience

Names to say

Legacies to build

Ancestors to invoke

Text to review

Positions to be held

Stories to be told

Lessons to be learned

Insight to be passed

Programs to be developed

Work to be done

My God

Don’t you feel it?

Can’t you see it?

There is truth clotheslined

along the horizon

Hung by angels

who want us to see

what this world is meant to be


drying by the light of the sun

is woven inspiration

covered in the tears

of those who left

before the battle was won

Sitting in your house right now

is a mirror

with an honest tongue

and a glimmer in its eye

Waiting to have a

Heart-to-heart conversation

with you

It has a message to deliver

in familiar clarity

A promise to make

A revelation to share

A desire to let you know

that if you take a look there

that it can show you

everything worth fighting for


Get the Spring 2017 Issue of TRIBES Magazine